"Here we go again. We were all standing in line waiting for breakfast when one of the caseworkers came in and tap-tap-tapped down the line. Uh-oh, this meant bad news, either they'd found a foster home for somebody or somebody was about to get paddled."
An orphan story! Orphan stories have lots of good possibilities, and it looked like the action was going to start right away. Two important facts emerge by the middle of the second page. The Great Depression is going on. An orphan is in a precarious position during this economically devastating era. And Bud has a confident sense of self, as he politely corrects the caseworker, "It's Bud, not Buddy, ma'am."
Predictibly, the foster parents that Bud is sent to are abusive, along with their rotten little son who likes to torture all the "street urchins" his parents take in. It doesn't take Bud long to realize he is better off on the lam than with these people, and so he escapes. He knows he cannot go back to the orphanage; they can hardly afford to feed the ones there. But Bud is resourceful and manages to take some kind of care for himself and spend wonderful moments in the public library.
But all along, he has the idea of a plan. In his precious suitcase resides a flyer. His mother had regarded it as precious and special before she died, and so does Bud. The flyer advertises a show featuring a jazz musician and his band. The boy has become convinced that the musician is his dad and begins to plan how to go to where the band is and present himself as the man's son.
I like Bud. I like his moxie. He is intelligent and practical, and is willing to risk to get what he wants.
A young reader can get a very good feeling for that era in our country's history by reading this book, and enjoying a good story with a nice ending at the same time.
I picked this up for a buck fifty at Goodwill.